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英文片名 | Women in Cages | |
中文片名 | 笼中女 (1971) | |
类型 | 动作, 犯罪, 剧情 | |
地区 | 美国,菲律宾 | |
文件大小 | 22.12 GB, 蓝光原盘 1080p | |
备注 | DIY简繁中字 | |
文件格式 | ISO/AVC | |
音轨 | 英语 DTS-HDMA 2.0 | |
字幕 | 简繁 | |
IMDB评分 | 4.9 | |
◎译 名 笼中女 / Women's Penitentiary III ◎片 名 Women in Cages ◎年 代 1971 ◎产 地 美国 / 菲律宾 ◎类 别 剧情 / 动作 / 犯罪 ◎语 言 英语 ◎上映日期 1971-10-21 ◎片 长 78 分钟 ◎导 演 Gerardo de Leon ◎编 剧 David Osterhout / James H. Watkins ◎主 演 Pam Grier Jennifer Gan Roberta Collins Judith M. Brown ◎简 介 Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ” “ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages. In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee. |