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英文片名 | The Tough Ones | |
原始片名 | Roma a mano armata | |
中文片名 | 致命武器 (1976) | |
类型 | 动作, 犯罪, 剧情, 惊悚 | |
地区 | 意大利 | |
文件大小 | 45.93 GB, 蓝光原盘 1080p | |
文件格式 | BDMV/AVC | |
音轨 | 意大利语 DTS-HDMA 2.0 | |
字幕 | 英文 | |
IMDB评分 | 7.0 | |
◎译 名 致命武器/Rome Armed to the Teeth ◎片 名 Roma a mano armata ◎年 代 1976 ◎产 地 意大利 ◎类 别 剧情 / 动作 / 惊悚 / 犯罪 ◎语 言 意大利语 ◎上映日期 1976 ◎片 长 95 分钟 ◎导 演 Umberto Lenzi ◎编 剧 翁贝托·伦齐 Umberto Lenzi / 达尔达诺·萨凯蒂 Dardano Sacchetti ◎主 演 Maurizio Merli Arthur Kennedy Tomas Milian ◎标 签 Italy | 被忽视的片子 | 犯罪 | 欧洲 | 意大利 | 惊悚 | 好片 | 动作 ◎简 介 Maurizio Merli and Tomas Milian star in probably the most typical, yet completely enjoyable Italian crime movie by Umberto Lenzi. With a blazing soundtrack by Franco Micalizzi and some exciting camerawork by Federico Zanni, this film is fast-paced and furious although the narrative makes relatively little sense. This reminds me of THE RAIDERS OF ATLANTIS, a film Dardano Sacchetti also penned, which was completely fun and enjoyable although it didn't make any sense whatsoever. The best scenes in this movie have to be the extended car chases. Milian hijacks an ambulence and kills all the people on board for no reason. When it crashes in a crowded flea market, Milian jumps out of the ambulence and just starts randomly firing his sub-machine gun into the crowd to create enough confusion to get away. Another great scene has a gang of upper-class teenagers led by the baby-faced Stefano Patrizi who get bored of nightclubbing and proceed to rape a girl and beat up her boyfriend in a vacant lot. Patrizi is wholely unsympathetic as he punches the boyfriend in the gut repeatedly and knees him in the face, then making weird gestures with a nearby piece of wood. Merli later pops by their nightclub and smashes Patrizi's face right through a pinball machine and then simultaneously beats the tar out of the six or so members of the gang! This film comes fast and furious. Good performances all around by a veteran cast (with Arthur Kennedy, Ivan Rassimov, and Luciano Pigozzi along for the ride). It's not the most coherent of Lenzi's works, but it's definitely a genre classic. |