◎译　　名　避幕 / The Hut
◎片　　名　피막
◎年　　代　1981
◎产　　地　韩国
◎类　　别　剧情 / 悬疑 / 恐怖
◎语　　言　韩语
◎上映日期　1981-06-13(韩国)
◎豆瓣链接　https://movie.douban.com/subject/4247454/
◎片　　长　93分钟
◎导　　演　李斗鏞 / Doo-yong Lee
◎演　　员　俞知仁 / Ji-in Yu
　　　　　　南宫远 / Kung-won Nam
　　　　　　黄贞顺 / Jeong-sun Hwang
◎编　　剧　尹三六 / Sam-yuk Yoon

◎简　　介　

　　When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret.
　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee.
　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

◎幕后揭秘

　　擅长导演动作片的李斗镛进入上个世纪80年代后开始尝试拍摄带有浓郁民俗风格的电影作品。其中最引人注目的就是这部融入了土俗萨满教教义和性爱场面的《避幕》。片中年轻寡妇因守节禁欲，夜不能寐的场面，以及女巫玉花对窥视自己的男子半推半就，投怀送抱的情节等都可被看作较为赤裸的性爱描写。而萨满教的基本特点是没有始祖、没有教义、崇拜多种神灵，没有组织、没有固定的庙宇教堂、没有专门的神职人员，主要活动是跳神。另外萨满教还有一个显著的特点，就是萨满教者多为女性。萨满教和土俗性的气氛在影片中表现得十分诡异，而性描写也颇为大胆直白。所谓“避幕”指的是人在死前被安置的场所，这里也意味着人间与黄泉交界的岔路口。 获奖：第20届大钟奖最佳男主角奖第17届韩国戏剧电影艺术大奖最佳导演奖第2届影评奖最佳技术奖、最佳剧本奖第38届威尼斯国际电影节特别奖