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 内容介绍
英文片名Sixty Glorious Years
中文片名荣耀六十年 (1938) 
类型剧情
地区英国
文件大小 18.89 GB, 蓝光原盘 1080p
文件格式 BDMV/AVC
音轨 英语 LPCM 2.0
字幕 英文
IMDB评分6.6


◎译  名 荣耀六十年 / Queen of Destiny
◎片  名 Sixty Glorious Years
◎年  代 1938
◎产  地 英国
◎类  别 剧情
◎语  言 英语
◎上映日期 1938
◎豆瓣链接 https://movie.douban.com/subject/5088083/
◎片  长 95 分钟
◎导  演 赫伯特·威尔科克斯 / Herbert Wilcox
◎演  员 安东·沃尔布鲁克 / Anton Walbrook
      马尔科姆·基恩 / Malcolm Keen
      弗雷德里克·莱斯特 / Frederick Leister
      Edward Lexy Edward Lexy
      Gordon McLeod Gordon McLeod
      迈尔斯·马勒森 / Miles Malleson
      Olaf Olsen Olaf Olsen
      沃尔特·瑞拉 / Walter Rilla
      Pamela Standish Pamela Standish
      C.奥布雷·史密斯 / C. Aubrey Smith
      Jack Watling Jack Watling
      Henry Hallett Henry Hallett
      Wyndham Goldie Wyndham Goldie
      格里塔·斯楚瑞德 / Greta Schröder
      德里克·德马尼 / Derrick De Marney
      Joyce Bland Joyce Bland
      Harvey Braban Harvey Braban
      Lewis Casson Lewis Casson
      Frank Cellier Frank Cellier
      Stuart Robertson Stuart Robertson
      查尔斯·卡森 / Charles Carson
      费利克斯·艾尔默 / Felix Aylmer
      奥布里·德克斯特 / Aubrey Dexter
      安娜·尼格尔 / Anna Neagle
      Laidman Browne Laidman Browne
◎编  剧 迈尔斯·马勒森 / Miles Malleson
◎制  片  人 赫伯特·威尔科克斯 / Herbert Wilcox
◎音  乐 安东尼·科林斯 / Anthony Collins
◎摄  影 弗雷迪·扬 / Freddie Young
◎美  术 Lawrence P. Williams Lawrence P. Williams
◎服  装 Doris Zinkeisen Doris Zinkeisen
      Tom Heslewood Tom Heslewood
◎化  妆 Patricia Pearce Patricia Pearce
◎副  导  演 Lloyd Richards Lloyd Richards
◎视觉特效 W. Percy Day W. Percy Day
      彼得·艾伦肖 / Peter Ellenshaw

◎简  介 

  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
  Roger Philip Mellor