◎译　　名　霹雳金刚 / High Crime / 火拼第一线
◎片　　名　La polizia incrimina la legge assolve
◎年　　代　1973
◎产　　地　西班牙 / 意大利
◎类　　别　剧情 / 惊悚 / 犯罪
◎语　　言　意大利语
◎上映日期　1974-07-24
◎豆瓣链接　https://movie.douban.com/subject/1303114/
◎片　　长　Italy: 100 分钟
◎导　　演　恩佐·卡斯特拉里 Enzo G. Castellari
◎编　　剧　恩佐·卡斯特拉里 Enzo G. Castellari / 莱昂纳多·马丁 Leonardo Martín / Maurizio Amati / 蒂托·卡尔皮 Tito Carpi
◎主　　演　路易吉·迪贝尔蒂 Luigi Diberti
　　　　　  Duilio Del Prete
　　　　　  保罗·朱斯蒂 Paolo Giusti
　　　　　  埃利·加里尼 Ely Galleani
　　　　　  Víctor Israel
　　　　　  Zoe Incrocci
　　　　　  卡拉·曼奇尼 Carla Mancini
　　　　　  华金·索利斯 Joaquín Solís
　　　　　  迈克尔·福瑞斯特 Michael Forest
　　　　　  Giovanni Cianfriglia
　　　　　  弗兰科·内罗 Franco Nero
　　　　　  娜塔莎·理查德森 Natasha Richardson
　　　　　  丹尼尔·马汀 Daniel Martín
　　　　　  费尔南多·雷伊 Fernando Rey
　　　　　  詹姆斯·惠特摩 James Whitmore
　　　　　  恩佐·卡斯特拉里 Enzo G. Castellari
　　　　　  德丽娅·布卡尔铎 Delia Boccardo
　　　　　  内洛·帕扎菲尼 Nello Pazzafini
　　　　　  布鲁诺·科拉扎里 Bruno Corazzari
　　　　　  米基·诺克斯 Mickey Knox


◎简　　介  

　　This was the first break-through success of a Poliziotti Italian crime movie and spawned several dozen imitations. Possibly the best film ever made, High Crime delivers the goods like few other movies, blending some experimental filming and editing techniques in with some good performances, solid action sequences, great music, and some pretty stunning photography by Alejandro Ulloa. Unlike a lot of other crime flicks made around the same period, this film isn't sympathetic at all to the villains. They are cold and heartless thugs who's so anything to keep themselves out of jail where they rightfully belong. This film is completely fascist and right-wing in its undertones, yet maintains an engaging level of emotional impact throughout. The scene where Franco Nero discovers his daughter dead made me almost want to cry... and Castellari expertly handles the flashbacks and knows just when to use slow motion in all the right spots.This wasn't the film which set the trend in Italian crime films (see Violent Professionals) but it was an excellent film which caused their widespread (yet short-lived) popularity. Certain elements (like the getting-in-car-gun-down) were endlessly repeated in the genre by Castellari himself as well as his father Marino Girolami, who totally ripped off the ending of this film in ROMA VIOLENTA, a much more typical film in the genre with Maurizio Merli, who although is not as good an actor as Franco Nero, is much more intense as the leading man in these sorts of films.