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    关于各种格式的区别:
  • 原盘:原始蓝光光盘上拷贝,包含菜单﹑花絮等,电脑上需用ArcSoft TotalMedia Theater或PowerDVD播放才有字幕,高清播放机播放原盘或原盘ISO,请确保你的机子支持后再选,避免发生兼容性问题
  • REMUX:无损的提取出原盘的原始视频数据和音频数据,去除菜单﹑花絮和多余的音轨,封装到TS格式中,可能采用DVD提取的国粤语和其他音轨,画质与原盘没有差别
  • 蓝光RiP:对蓝光Blu-ray等介质的原始视频进行重编码,视频形式采用X264编码,音频采用原片音轨转码的AC3或DTS
  • WEB-DL:来源是各大视频网站,质量要比HDTV好,相比HDTV,无水印,无台标logo,无插播广告,所以无任何剪切较完整。
  • HDTV的片源是录制于高清电视,基本都有台标

 内容介绍
英文片名Decoder
中文片名解码器 (1984) 
类型恐怖, 神秘, 科幻
地区西德
文件大小 35.59 GB, 蓝光原盘 1080p
文件格式 BDMV/AVC
音轨 英语 DTS-HDMA 1.0
字幕 英文
IMDB评分6.6


◎译  名 解码器
◎片  名 Decoder
◎年  代 1984
◎产  地 西德
◎类  别 科幻 / 悬疑 / 恐怖
◎语  言 德语 / 英语 / 葡萄牙语
◎上映日期 1984
◎片  长 87 分钟
◎导  演 Klaus Maeck
◎编  剧 Klaus Maeck / Muscha
◎主  演 William S. Burroughs
       Genesis P-Orridge
       William Rice
       FM Einheit
       Christiane Felscherinow
       Britzhold Baron De Belle
       Matthias Fuchs
       Alexander Hacke
       Slim Darko
       Erwin Lieske
       Mona Mur
       Sigurd Mueller
       Matthias Wein
       Peter Zoyt
       Jeff Moss


◎标  签 德国 | 科幻 | CyberPunk | tlf | Done | 德国电影 | ~ | tlfd5

◎简  介  

  Hamburg, 1983. F.M. is a youngster leading an idle urban life, totally alienated from his environment, and only active when making “sound experiments” in his home studio. Christiana, his girlfriend, works in a peepshow on Reeperbahn. A chronically depressed customer is infatuated by her and tries to get more closely acquainted. The relationship between F.M. and Christiana is cool and distant, except for the moments at breakfast, when they share the muddled visions of their dreams.
  One day F.M. suddenly wakes up to the surrounding reality, as he notices how the inconspicuous background music at a hamburger joint may have some connection with the junk food. It dawns on him that muzak is designed to control and brainwash the masses, not unlike lobotomy. On top of its paralysing effects, muzak is also laced with subliminal messages. F.M. decides to go back to the bar and records the muzak for his own purposes. He starts to develop a form of “anti-muzak” in his studio, by playing the original material backwards, or at a wrong speed, or by mixing it with interfering factors like sounds of street riots or squealing frogs.