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Beyond the Black Rainbow [Blu-ray]
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Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
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Genre | Science Fiction & Fantasy |
Format | Blu-ray |
Contributor | Rondel Reynoldson, Eva Allan, Ryan Harper, Christopher Gauthier, Marilyn Norry, Christya Nordstokke, Panos Cosmatos, Geoffrey Condor, Gerry South, Roy Campsall, Chris Gauthier, Oliver Linsley, Michael Rogers, Scott Hylands, Rondel Reynoldsen, Jason Mitchell See more |
Language | English |
Runtime | 1 hour and 49 minutes |
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From the manufacturer
A PANOS COSMATOS PICTURE
BEYOND SCIENCE. BEYOND SANITY. BEYOND CONTROL.
Held captive in a specialized medical facility, a young woman with unique abilities seeks a chance to escape her obsessed captor.
Set in the strange and oppressive emotional landscape of the year 1983, Beyond the Black Rainbow is a Reaganera fever dream inspired by hazy childhood memories of midnight movies and Saturday morning cartoons. From the producer of Machotaildrop, Rainbow is the outlandish feature film debut of writer and director Panos Cosmatos. Featuring a hypnotic analog synthesizer score by Jeremy Schmidt of “Sinoia Caves” and “Black Mountain,” Rainbow is a film experience for the senses.
"GORGEOUS, PERPLEXING WONDERS" - TWITCH
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Product Description
Set in the 80's; young, mute woman, kept captive and sedated in a secluded compund by drugs and a mind control sadistic leader, manages to escape her confinement. As she tries to escape the compound, obviously hindered by lack of communication skills and terror of the search by her captors & guardians of the compound: No one to trust, no one to help.
Product details
- Aspect Ratio : 1.78:1
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 0.01 ounces
- Audio Description: : English
- Item model number : 25516139
- Director : Panos Cosmatos
- Media Format : Blu-ray
- Run time : 1 hour and 49 minutes
- Release date : September 11, 2012
- Actors : Rondel Reynoldson, Michael Rogers, Eva Allan, Scott Hylands, Marilyn Norry
- Subtitles: : Spanish
- Producers : Ryan Harper, Christya Nordstokke, Jason Mitchell, Oliver Linsley
- Studio : Magnolia Home Ent
- ASIN : B008B9JTDQ
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #5,182 in Movies & TV (See Top 100 in Movies & TV)
- #147 in Science Fiction Blu-ray Discs
- Customer Reviews:
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In the vein of Land of the Lost, Space 1999, Liquid Sky, Altered States, Coma, Looker, THX1138, Scanners, 2001, and filmmakers like Kubrick, David Cronenberg, Stan Brakhage, Kenneth Anger and dozens of other films and filmmakers I know and don't know from the 70s and 80s comes Beyond the Black Rainbow. It is a fever dream of a film that is more experience than linear narrative. Imagine a B film from the 1980s was lost and never seen. Beyond the Black Rainbow is supposed to be that lost film. It's here as if from a time machine. The film is a homage to low budget gems from the past; something only seen in some off the beaten path theater away from civilization.
Now despite all reports to the contrary there is some semblance of a narrative here. Remember though that what follows is my interpretation of what I saw. The film is open ended enough to serve yours too. The film is carefully and skillfully constructed so I assume if he wanted things explained more, he would have simply done that. Like the famous Kubrick/Lovecraft quote: "In all things mysterious - never explain."
Spoilers / interpretations ahead:
If I had to write one line that summed up this films narrative that would be that: "The road to hell is paved with good intentions." The film begins with a short film within a film. An idealistic doctor, Mercurio Arboria, introducing his institutions 1960s mission statement about striving to make a better happier you. The Arboria Institute has very noble and altruistic pursuits. Cut to 1983 and we are witness to the tail end of what ever went on there. Bizarre, uncanny, morbid, awkward, claustrophobic, dreamlike, conspiracy, telekinetic, kaleidoscopic, are all words that help describe what exactly is going on deep inside the Arboria institute. Clearly the ideals that started the place have been abandoned or steered the once noble men into dark corners of science and the mind. Clearly as a species any of us can see what horrors humankinds good intentions have produced. David Cronenberg's early films often showed science run amok. Scanners, Videodrome, and The Fly come to mind where the horrific ends are far from where the science was intended to take the protagonists. This is the crux of what this film is communicating. Human idealism is going to lead us to unexpected places, likely dark, likely far from where we thought we'd wind up. Hence the films title, Beyond the Black Rainbow. Where ever that is, it's far away from where we thought we'd end up.
A lone beautiful girl Elena is catatonic in her cell deep in the Aboria institute. She shows signs of telekinesis. Dr. Barry Nyle keeps Elena under control. Her telekinesis is dampened by a mysterious machine and possibly drugs that keep her powers under control. We eventually learn that she is the probable offspring of her doctor and another woman who was killed to make way for the new age of enlightenment. The 2 doctors have gone mad in the warren of corridors and passageways as they pop pills, drop acid, and shoot up Timothy Leary style. Odd automatons that reminded me of the automatons from The Black Hole or the robots from THX1138 roam the institute too. An ignorant nurse also comes across a compiled medical record of Elena and her powers and the years of insanely odd science that had been applied to her. It served as on of the films most unnerving and beautifully collaged moments.
Barry Nyle clearly has come to the end of his rope and decades of drugs, clinical observations, and hiding his unnatural appearance under wraps with a bad wig and contacts have taken their toll on him. We glimpse the founder, Dr. Mercurio Arboria, deep in the bowels of the institute. He is the shell of his once former self and seems to be on the tail end of decades of drug addiction and watching idealistic nature films. It seems as though Barry wants to ask him for something regarding his increasing fascination with Elena but we are given a flashback that reminded me of the film Begotten. Harsh black and white imagery serves to show us the bizarre science ritual that Barry had to undergo in years past. He emerges from a black pool a changed man and then proceeds to impregnate and/or kill Elena's mother. The child, Elena, is kept alive. Whatever the hell they wound up doing, Elena is the partial result. I was also reminded of Akira too with the telekinesis and I'm sure the homage's and influences are endless.
Eventually Elena escapes or is allowed to escape by her doctor. This reminded me of when THX1138 was eventually off his meds and decided to roam freely and explored the odd world he lived in, eventually escaping to the outside world. Elena too escapes and takes us on the wildest ride you are likely to ever be witness to. Again I was reminded of another film, O Lucky Man, where Malcolm McDowell's character is in a hospital at one point and gets up to have a look see and discovers horrors beyond his wildest dreams.
The film ends with a confrontation between Barry and Elena in a field somewhere away from the institute. Two 80s burnouts are unfortunate enough to be in the paranoid path of Barry before he finds her and it's no surprise how the two end up. There is some comedy in here for sure, and again, a nod to many funny awkwardly filmed moments like this from B films of yore.
Elena, no longer under the control of the institute's bizarre machine, and is free to easily tangle Barry's feet with roots and smash him to the ground, his head hitting a rock, killing him. Elena wanders off out of the field to the edge of a neighborhood where we see a TV illuminating one room of a darkened house. We know she is heading there. Then the film ends. After the credits roll we are given a quick shot of an action figure of one of the automatons from earlier. Then a quote from Buckarro Banzi: "no matter where you go, there you are." Buckarro Banzi is on of the 1980s more bizarre and odd films to have come out, an odd amalgam of studio authorization of a very bizarre story. It's no wonder the films creator admires this enough to put it in there.
Again, this film is for those who don't mind letting art flow over them and endlessly picking a film apart. It's dreamlike and not easily explained. It needs to be interpreted rather than explained. Despite it being bizarre I suggest you don't shy away from it. There are few modern films out there like this and it's a sheer delight to have experienced.
The setup: In the 60s, a cult leader started a foundation to change people's minds through a blend of therapy and pharmaceuticals. Today, a mysterious man representing this organization interviews a troubled young woman. At first it seems like he's trying to use the tools of the cult to change her mind. But is she there against her will? And why is this guy so creepy? Major twists happen, and the film takes a deep dive into trippy visuals and massively metaphorical arthouse. Eventually, the girl tries to escape the compound, but she'll have to go through the bowels of the complex to break through.
Why people care: Film buffs will note that virtually every frame of this feature oozes metaphor. The doctor is always cast in red light which is explicitly shown to be tied to Reagan era paranoia and right-wing fear. At one point the doctor dawns a rad 80's style leather jacket that reads "Noriega" on the back, a reference to political machinations and excesses of the Reagan era. The director of the film - Panos Cosmatos - is the son of the guy who directed Rambo II. His mother was also a sculptor, so you also clearly see the film bounce between his paternal and maternal side. One scene will be drenched in heavy metal and blood, the next will be achingly slow-paced and linger on still shots. The music is absolutely tremendous. There are many references to John Carpenter and Giorgio Moroder's famous cinematic scores, until the movie dips into atmospheric metal which leans toward Pink Floyd. The acting is amazing, from every person onscreen.
Why it's polarizing: The film has an incredibly slow, deliberate pace. Some scenes drag on just to give the score and the visuals more time to implant themselves in your brain. The film is 110 minutes but it easily feels more like 2 and a half hours, and some viewers will scream that things could have been trimmed to 90 minutes or less because the actual story is a very simple one. It's not any sort of spoiler to say that the basic narrative is a copy of THX 1138. The main character escapes the evil lab, and sees some weird stuff along the way. But that's the whole point the director wanted to make - even though this movie is heavy with metaphor, the actual plot is easy enough to follow. Once you settle into the story, no matter how trippy the visuals get, you always know what's going on. Personally, I'm totally onboard with that. For a general audience though, a lot of people end up feeling there's way more style here than the plot can justify.
Overall: This is the sort of audio-visual masterpiece where I could pretty much pick out a still from the movie at random, and I'd be happy if I had a painting of that still in my home. There's one shot (with the rainbow pipes) that I absolutely want a print of. At times, atmospheric and peaceful. At times, totally far out and drug-fueled. The movie has a bit of everything, and film fans definitely must see it. General audiences tend to hate the slow pace, so I can't recommend it for the Netflix crowd unless they are willing to show some patience as the narrative develops.
But I somewhat dislike the lack of any kind of thread to tie things together at least slightly more securely. I think the extremes of the inside facility and the outside, which is at most the last ten minutes or so, are a bit to the point of lulling watchers to sleep. Not really in a good way. I think 2001 had a lot of interesting bits along its space, and while this does as well, it ever so slightly overdoes its stay in areas leading to boredom. The script could have used a bit more flesh to its body, but I'm not too hung up about it. I just felt that there could have been a slight bit more character arc in here, and it would have propped the film up into the stratosphere.
I love all the stylization, and the characters were fascinating, but we don't get QUITE enough to understand or care too much. The end sequences kind of happen a bit too fast, and the ending seems underdone to me honestly. I would have preferred more magic at the end. I think there is too little about Elena personally, and her scenes are kind of strange in that the viewer is expected to care about someone they can't really identify with. We barely even know her plight.
But for what it is, the film does succeed in introducing us to a strange world with glacial tones, sleepiness, insecurity, madness, ethereal undulations about the universe, critique on new age spiritual cults, and isolation. The synth soundtrack is amazing and ties in perfectly with the visual order. These themes among others are fairly strong, so if you can get in line with the vibe, the slow burn will probably be meaningful to your senses.
Top reviews from other countries
Ésta edición en Blu-ray está perfectamente cuidada en video y audio, y sí contiene subtítulos en español.
As if the visuals weren`t enough, the soundtrack by Sinoia Caves is similarly incredible though it remains criminally unavailable to buy.
Cannot recommend this highly enough.
The universe i was thrown into was some sort of mix between a terrifying spooky Cronenberg early tale wrapped in the comforting cocoon of inspired by Kubrick visuals. The music did help a lot to create that uncomfortable while surprisingly familiar experience, and i regret it has not been granted a cd or digital download release.
The science behind Mr Cosmatos' frames makes a slow rhythm seem so deep that it was hypnotizing and kept me wanting more and more (as to watch the movie 20 times in one week. Who cares if the ending lacks depth, and the story isn't that complicated. It holds its own beautifully and that's all that counts. This is an >Experience< you ought to have if you like mindtrips set in a solid yet new universe. Actors are great, so are the lines they give.
Obviously one of the few stand out movies of the year, and a director i will watch closely. I can't wait to see what he comes up with next.